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The prosecution portrayed Freeman as “almost inhuman,” a monstrous “pseudovampire” who brainwashed the unwilling Jackson. Jackson plead guilty to Martha’s murder and was a witness against Freeman, who was charged with Larry’s murder. The prosecution portrayed Freeman as “almost inhuman,” a monstrous “pseudovampire” who brainwashed the unwilling Jackson.įreeman and her lover, Gertrude Nunez Jackson, were convicted of killing Jackson’s two young children, Martha and Larry, in 1961. As her execution neared, she began to be portrayed as a victim: sexual abuse and societal neglect had forced her into lesbianism.
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At the time, “masculine” lesbians were typically seen as threatening, but Freeman became an exception-but only after her trial and conviction. She was a working-class butch lesbian, tattooed-up and dressed, in the words of the Oregonian, in “mannish” attire. Initially, Freeman was the wrong kind of young white woman. “Freeman’s case attracted so much attention not only because she had the distinction of being the first woman to receive the death sentence in Oregon’s history-at a mere twenty years old-but also because she was found guilty of an exceptionally brutal and sexually sensational crime.” Scholar Lauren Jae Gutterman explores how convicted murderer Jeannace June Freeman came to “ serve as such a powerful symbol of capital punishment’s injustice.” But a young white woman, sentenced to death for her role in the murders of two children, became the focus of the abolitionist campaign. Hardly any attention was paid to two of the inmates, both of whom were white men. Three death row inmates awaited the results of Oregon’s 1964 vote on ending capital punishment.